As everyone knows Hollywood is a bastion of leftism, to the point where conservative actors, especially Christians are afraid to speak out against the monolith of 'progressivism" (i.e. being an outspoken Democratic party member) that even the only visible Republican club the "secretive" 'The friends Of Abe' 'disbanded.
The roster of actors/musicians/producers/directors who supported Hillary Clinton is legion but
that has been considered to be a considerable reason why she lost. In a time of massive rejection of the Establishment, the liberal elite, and of being ridiculed and spoken down to by people outside of the major urban centers and centers of entertainment the sight of actors and musicians being on a stage with Clinton simply reinforced this sense of being condescended to.
Clinton's campaign ending rally in Philadelphia with a host of rock stars showed just how ineffectual these superstars are in persuading not only those predisposed to support the left, i.e. young people who generally don't bother to vote, but how effective such a spectacle was in galvanizing rural voters to overwhelmingly reject Clinton.
One thing is certain after such a dismal failure of "star power" there never will be again such a useless reliance on an effort that brings so little reward and is in fact a detriment.
However Hollywood loves one thing more than it's leftism and that is of course money. During the end of the G.W. Bush years, and all throughout the Obama administration the Hollywood left has had free reign to churn out endless movies and television drama and sitcoms extolling their social views.
Gay sitcoms, lesbian drama's "modern family" mixed parentage sitcoms and all aspects of non-traditional marriage and family life have been the mainstay of the media. So too have big city travails of single women battling sexism, misogyny and all sorts of dastardly men been the norm. Depictions of working classand rural family life and struggles hardly merited a look-in.
With the election of Donald Trump and the complete dominance of conservatives in Congress and majority of state legislatures, once the Hollywood elite recover from their shock even the most blinkered of them could now see the entire zeitgeist, the mores of the nation, have swung dramatically against the one sided and distorted image of American society that they have relentlessly pushed onto the television and movie screens for over a decade.
To make money from this awakening, unless they stupidly persist in their rejected direction, Hollywood could climb down from their elitist heights and create entertainment that reflects the society that resoundingly rejected them in the election. It's not as if they would have to reinvent the wheel either.
There is a wealth of entertainment history that depicted wholesome American life that would be simple to recreate in a modern setting (including Black and Hispanic themes). My Three Sons, The Donna Reed Show, Leave It To Beaver, Father Knows Best (or Mother Knows best for today's world) in the family setting.
The passing of Florence Henderson and the outpouring of affection for her memory proves the attractions still of the lighthearted the "Brady Bunch" happy family concept.
A new version of Andy Griffith Show set in rural "Mayberry" could make a comeback in a modern setting as a nod to the 2016 voters who made their presence and distaste apparent.
And what could be a more obvious tip of the hat to working class America than a revival of "Roseanne" whose leading actor, once robust feminist, tellingly has become a staunch opponent of Hillary Clinton.
Hollywood has a choice, continue with their grossly out of touch elitism or bring back the likes of the whip smart Roseanne Barr and help bring the nation together whilst making money at it. My guess is that's the direction they will head in as they may be incorrigibly leftist but they are not stupid with it as far as their wallets are concerned.